BEING ALICE Ver. 1.0 is an electronic-symphonic fantasy. Being Alice was composed completely in midi format using only a Roland 2080 and a Proteus One and a combination of simple computer sequencers. The realistic expression is achieved through dynamic wind control on virtually every musical line and constant shift in tempo parameters. For those who care the work is structured as a double theme and variations, meaning that every movement has variations on the A and B themes found in the Introduction. The A theme is playful, the second theme is more chromatic with a pulsing under beat in 9 (4-3-2). The Finale reiterates the previous movements before climaxing in a raucous closing.
BEING ALICE Ver. 1.1 for symphony orchestra based on the midi-orchestrations.
Alice Arriving - 4'17", Alice Looking - 4'52", Alice Yearning - 4'39", Alice Tangoling - 3'32", Alice Dancing - 4'50", Alice Being - 5'26", Alice Finally - 10'32"